‘Boxed’ challenges the gender binary myth, profiles intersections within the trans community and also talks about their vehement opposition toward the Trans Bill of 2019. We spoke to directors Sameeksha …
I think it’s because of religious decrees around head cover and some states like Iran making it mandatory in public life. So people tend to associate it with religion. Head covering is common in many religions and cultures and not just Islam. There is no compulsion in Islam to do anything – we are all able to exercise our free will. Any legislation which forces women to wear or snatches away their right to wear – both are discriminatory.
Amongst feminist poetry, her work, such as The List of Shit That Made Me A Feminist series, is bold and unapologetic, showcasing the common experiences of women all over the world. It gives rise to feelings of solidarity, along with the resolve to create change and emerge from the ruins, stronger than ever.
I had read a lot of Urdu poetry and prose from this time for my 2012 book Gender, Sex and the City, and had discovered that several major writers from Lucknow, Agra and Delhi (but also one from Hyderabad) wrote in the same range of tones and with equal ease about female-female, female-male, and male-male erotic relationships, as well as about all kinds of friendships, including female-male non-sexual friendships.
With mainly jazz, soul and pop influences in addition to stunningly vulnerable lyrics, “Aloe” is Coup Jean's debut album, and a brilliant one at that.
What’s interesting and different about this film is that it is the story of a South Asian transwoman, which is very hard to come across in the mainstream Hollywood’s predominantly white representation of the LGBTQ+ community.
DOV's music is hypnotic, to say the least. It is stunning and beautiful, every song powerful in a different way.
He is funny, insightful, and brave. He uses his platform to educate people about queer issues and also talks about the political issues going on in our country.
Sukhdeep’s understanding of his religion and his life as an openly queer creator drove him to seek out others like him, to share their stories and talk about their struggles that they have faced and the fights they have won.
His point of view is as strong as his will power to be a better ally to those who do not have the same privileges as he does. In the telephonic interview that ensued, he candidly discussed his experiences of working in the mainstream media as a homosexual man.
He is currently in Class 12, pursuing Humanities and his passions include social work, reading, watching YouTube, listening to podcasts, makeup (he is an MUA i.e. Make-up artist), dressing, oratory and spirituality.
In a conversation, he is contemplative and focused. Any question that I ask is met with a pause and then a well-thought-out reply.
Her photographs have a distinct, ethereal style, almost– something about the colours and the contrast draws you in and keeps you there.
In person– or on the laptop screen as we talk– Sufi is warm and brilliant, much like her Instagram username, @sufi.sun. She is articulate and reflective, determined to say the right things, thinking over her answers carefully each time.
Pauline Mancini, 24 years old, lives in Lorraine, France. She started music at the age of 16, not knowing anything about it.
In honour of their 100th episode, which aired on September 24th, 2019 – the producers of Dyking Out managed to snag an episode with comedian and bisexual “dykon” (dyke icon), Margaret Cho.
The book, only available in South Asia currently has been garnering attention for its view of Afgan society. Nemat sits down with Gaysi to discuss his debut book, queer narratives from Afghanistan and how literature has a role to transform how politics of the marginalised continue to be viewed.
I had an opportunity to talk to Diya about her art, what it entails, and how she sees it. And after talking to her about this project, Lorde’s words become more relevant.
Aneesha, who teamed up with photographer Harish and stylist Divya, collaborated for NAAZ to give us a glimpse of what it means to live in a post-377 India through 6 young voices of the community.
In an exclusive interview with team Gaysi, director Jijo Kuriakose shares his experiences working on Njan Sanjo and articulates his thoughts on the importance of self-representation in queer-centric media.