‘Nanette’ is no ordinary stand-up special. Hannah Gadsby is 40-year-old, gay, Tasmanian comic whose decade-long career in comedy has been built on self-deprecating humour. But she decides to change things up this time.
The art within these walls and stairwells has already found its ways into art collections and audience’s homes and offices. Finally, there is room to breathe. Me We provides that, and raises the bar for LGBTQ art exhibits.
This (mis)representation of bisexuality as a sexuality in the “middle” of homosexuality and heterosexuality is the exact line that Medha Patel follows.
Netflix’s Lust Stories is a compilation of four short films, each of which dive into different kinds of modern relationships that make you think.
He tackles coming out of the closet like Attila the Hun, with a hysterical tale of his own coming out and the challenges and reactions of his families, friends and peers.
KA Bodyscapes, the queer-themed Malayalam feature by Jayan K. Cherian, has similarly battled the Censor Board for over a year and half until it finally received an adult certification in 2018.
For years we have created all sort of genres with hetero-cis plotlines, perhaps Love, Simon proves to be the gateway to mainstreaming the same for queer narratives.
In many ways, Noblemen is a tale of revenge and retribution, but, as Confucius once said, ‘Before you embark on a journey of revenge, dig two graves.’
An epigraph with which Arundhati Roy opened her first novel, The God of Small Things, the line translates organically into The Ministry of Happiness as well.
Born as an intersex person, Khejdi is brought up by her father behind concrete walls and closed doors. To keep her from being seen and slaughtered by the villagers, she is told that if she steps outside she'll catch a dangerous disease.
For me, the best thing about any Queer Film Fest is that in a short period of three days, these movies expose you to the gigantic spectrum of issues and narratives of LGBTQ+ people all around the globe.
This is a 2016 German coming of age drama that focuses on the trials and tribulations of young love, friendship, jealousy, and family.
This film doesn’t smack you over the head with its queerness; it’s not a Public Service Announcement for Gay Rights.
The 9th edition of the Bangalore Queer Film Festival (BQFF), that spanned from 9th March to 11th March, screened a staggering 89 films from over 30 countries.
I remember watching the L word in the early years of college when I didn’t move with the feminist agency I do now. As a younger more impressionable queer woman, the highbrow posh characters of the show sunk their teeth in fast and I was hooked. But something seemed off.
What is pleasing about the episodes is that it gives us an insight into a relationship that faces its common ups and downs.
Addressing the audience, the choir stressed on the fact that through their performances, and the power of music, they wish to eradicate discrimination, oppression, ignorance, and prejudice.
Throughout the performance, I could sense that Ehsaas is not a play that demands acceptance. In fact, it goes beyond the point of breaking the binary and looking at acceptance and dignity as a basic human right.
Out director and LGBT rights activist Kwang-soo’s debut feature film "Two Weddings and a Funeral" is a South Korean romantic comedy film.
The show is lauded as a landmark in transgender representation on television and film, with Soloway enacting a "transfirmative action program", where showmakers hire transgender applicants in preference to cisgender people.