Born as an intersex person, Khejdi is brought up by her father behind concrete walls and closed doors. To keep her from being seen and slaughtered by the villagers, she is told that if she steps outside she'll catch a dangerous disease.
For me, the best thing about any Queer Film Fest is that in a short period of three days, these movies expose you to the gigantic spectrum of issues and narratives of LGBTQ+ people all around the globe.
This is a 2016 German coming of age drama that focuses on the trials and tribulations of young love, friendship, jealousy, and family.
This film doesn’t smack you over the head with its queerness; it’s not a Public Service Announcement for Gay Rights.
The 9th edition of the Bangalore Queer Film Festival (BQFF), that spanned from 9th March to 11th March, screened a staggering 89 films from over 30 countries.
I remember watching the L word in the early years of college when I didn’t move with the feminist agency I do now. As a younger more impressionable queer woman, the highbrow posh characters of the show sunk their teeth in fast and I was hooked. But something seemed off.
What is pleasing about the episodes is that it gives us an insight into a relationship that faces its common ups and downs.
Addressing the audience, the choir stressed on the fact that through their performances, and the power of music, they wish to eradicate discrimination, oppression, ignorance, and prejudice.
Throughout the performance, I could sense that Ehsaas is not a play that demands acceptance. In fact, it goes beyond the point of breaking the binary and looking at acceptance and dignity as a basic human right.
Out director and LGBT rights activist Kwang-soo’s debut feature film "Two Weddings and a Funeral" is a South Korean romantic comedy film.
The show is lauded as a landmark in transgender representation on television and film, with Soloway enacting a "transfirmative action program", where showmakers hire transgender applicants in preference to cisgender people.
Carmilla is one of the few current shows known for its diverse cast featuring people of colour and of different sexual identities and religious backgrounds; it also deals with these topics subtly and sensitively, which gives this show a universal appeal.
Sulu is a happy-go-lucky and fun-loving person, a practical joker, quick-tempered but incredibly protective and loving towards her family.
If this book has to be a homage to anything, it should be to the strength that the writer displays as he chronicles his life before and after being diagnosed seropositive.
Narrative of traditional south-Asian families and their ideas of a fulfilling life is a central thread through the novel.
There is no drama or scripted dialogues; instead, we get raw emotions and the reality of Cleo and her fiancé’s worlds.
God Loves Hair, Shraya tells us, and indeed, why wouldn’t God love hair? It is a part of one’s body and one’s body is sacred and not something to be ashamed of, and this is what Shraya’s text invokes
The show has its moments, but for the most, it is something you have to power through if you turn off your brain.
The film is the result of honest conversations with parents, grandparents and young people who identify as LGBTQ+.
What is striking about Namjoshi’s work is the way she always looks at identity collectively and does not treat religious, sexual, racial, class and caste identity as separate strands.