Five out of six filmmakers were women. The odd one out, and first in the line up was 6:23 am by Geoffrey Breton (please note that the ‘Boys Shorts’ film category didn’t have a single female director, which is: not surprising).
One of the things I love most about theatre
Is the ephemeral disintegration of orthodox socio-cultural identities,
Which typically comes along with losing your self for another,
Gendered expectations of Walk like a man, talk like a man, sit like a man,
Spread your legs, assert your dominance;
No, not you! You’re a woman. You, huddle up.
Occupy less space. Be less loud.
When Lord Kim was given the boon of a guard to accompany him on the journey west, he did not know what to expect. Or, in truth, he had some expectation: a broad man with a broad face, large arms and legs like trees. He had thought the queen would send her emissary forth on the silk route with much pomp and preparation. Yet, he had departed before the first rays of morning found their tracks on the hoof-beaten paths of Wiryeseong.
Children who come from homes that don't fit traditional social stereotypes (i.e. nuclear families) can find their families in these stories, and children who don't fit traditional stereotypes of gender or self-expression can find an example for themselves.
I think it’s because of religious decrees around head cover and some states like Iran making it mandatory in public life. So people tend to associate it with religion. Head covering is common in many religions and cultures and not just Islam. There is no compulsion in Islam to do anything – we are all able to exercise our free will. Any legislation which forces women to wear or snatches away their right to wear – both are discriminatory.
The title ‘Mad, Bad and Dangerous to Know’ makes no attempt to conceal it’s YA (Young Adult) genre, and also leaves a few clues in the text just to make sure (for eg: the use of ‘deadpan’ as a verb). As Khayyam sleuths her way through the book to uncover Leila’s story and amplify her voice, it is ironic that the book title ‘Mad, Bad and Dangerous to Know’, is a reference to Lord Byron’s reputation amongst women.
A critique of something doesn’t imply that the thing in question is complete garbage (although it sometimes is), but that there are things the piece does wrong that it could do better, which it won’t do better unless one points it out and holds it to a higher standard.
Here is a list of guidelines for creating Gay cis-gendered male characters in visual media as well characters that I feel embody these guidelines well.
was hard. I’m still trying.
I chased the normal by complying.
Amongst feminist poetry, her work, such as The List of Shit That Made Me A Feminist series, is bold and unapologetic, showcasing the common experiences of women all over the world. It gives rise to feelings of solidarity, along with the resolve to create change and emerge from the ruins, stronger than ever.
Naming one book after the other Saikat’s celebratory tone about the fact that much gay fiction and nonfiction is getting published he misses one more point: diversity. How many fictions, nonfictions by trans writer, Saikat? Or for that matter by any gender nonconforming person? Or anyone under the sun except gay man or woman?
In our conversations, we also realized that we converged in our likeness for the same boys. These boys were out of our reach and with whom we could only dream conversations. I tried to show that I was jealous of us liking the same guys, but I don’t think I cared for them anymore.
So would you not
join me in the investigation
for the world to decipher
why (spoiler alert)
you killed “what a poor boy”.
Moothon tries to work around a lot of areas from the politics of underworld and crime to gender and queerness, but it does none of them entirely. It falls into the trap of being a Masala film trying to be an arthouse morality drama.
This article seeks to explore the various dimensions of the gaydar and highlight how although a concept even accepted by many in the community, can act as a barrier to the efforts being made in breaking the binary.
When you think of this in the Indian context where ‘what will people say’ has historically trumped an individual’s mental and social well-being, it is unsurprising that even after the article 377 judgement, conversion therapy camps, familial abuse, and individual and couple suicides in the queer community are very much a reality.
History is evidence to the fact that whenever humanity has faced a major crisis, women have always been the worst affected. We are living through a historic event right now, The 2020 Coronavirus Pandemic, let’s see how this has affected women.
For a community that struggles to be recognised as valid by external actors, more often that not, queer relationships feel the pressure to be portrayed as perfect, in order to increase that claim for validity.
I am a pansexual woman and I am in a relationship with a straight cis-man for the past two years. He is an amazing person, and he accepts and embraces my identity. However, people no longer see me as a queer person anymore, I have become another straight woman to them.
predictably building up to a steamy lovemaking scene,
marked by the male gaze
and then there's the inseparability