A perfect wife from matrimonial ads who turns into a Savita-bhabhi-esque avatar for you with the question of consent out of the window since there will be no memory of anything that you do.
The title of the documentary is evoked at one point by writer and actress Jen Richards, “I kind of hate the idea of disclosure, in the sense that it presupposes there is something to disclose.” I’m still trying to wrap my head around this and many other things said in the documentary. Having struggled with coming out and the idea of stealth, having often thought, “at what point do I need to tell them I’m trans?”, her statement brings up many feelings and emotions for me, as I attempt to process the idea of a world where my transness is absolutely nobody else’s business.
Sukhdeep’s understanding of his religion and his life as an openly queer creator drove him to seek out others like him, to share their stories and talk about their struggles that they have faced and the fights they have won.
His point of view is as strong as his will power to be a better ally to those who do not have the same privileges as he does. In the telephonic interview that ensued, he candidly discussed his experiences of working in the mainstream media as a homosexual man.
That moment of solidarity between people that are trying to bring change from within to a religious institution that has historically discriminated within them is the reason why this show is worth watching.
While the trans community is the one she is actively discriminating against, other LGBTQ+ individuals, Trans allies, and members of the Harry Potter fandom are also speaking up about the disappointing and dangerous way that the author is deciding to use the influence that she has because of the global community that has loved her work.
What began as a thesis while pursuing his masters in Comparative Media Studies in MIT became the first ethnography of gay life in contemporary India. It to help gay men explore their sexuality and accept their identities. It charts the growth and trajectories these offline-online communities as a result of globalisation and the subsequent changes.
He is currently in Class 12, pursuing Humanities and his passions include social work, reading, watching YouTube, listening to podcasts, makeup (he is an MUA i.e. Make-up artist), dressing, oratory and spirituality.
Heavily centered on the queer community and trans people of color, the video showcases locally-, nationally-, and globally-known influential figures.
Mae and George both are characters who are attractive in their own right, but neither are characters who I actively crush on as a queer woman myself, but more as flawed people I can identify with and learn from.
He notes, "One thing which always fascinated me was the Tradition of Vashem or StriVesham. As we see in sampradaya Kuchipudi, Kathakali and Yakshaganam. However, this transformation of identity in the west was called Drag. Literally abbreviated as Dress Resembling a Girl, which soon turned its definition as Dress Resembling a Gender”.
The music video for Temptation, the song that helped her– and many other Desis, I imagine– come to term with her sexuality, is also similar to her other music videos, and now, almost two years later, Raveena has come out with a new single ‘Headaches’ that is unapologetically queer.
Miley is not all good, though– like any other celebrity, she has had her fair share of controversies.
As I watched Aamir Khan introduce the topic as a little “sensitive” for parents, I could feel my grandmother next to me widen her eyes and raise her eyebrows with concern.
In 2016, Paras was awarded the Roshan Award of the BlueCat International Screenplay Contest. Out of 4,500 submissions, his screenplay titled Deepest, Darkest or How Not To Lie put him in contact with notable agents and talent managers in Hollywood.
When I finished browsing through this heavy pink-covered hardcover book that has Paolo Sergio de Castro’s image on the front – who died of AIDS and the book is dedicated to him – with “wish you were here” in golden color, I was overwhelmed with emotions. These 128 pages, cover to cover, carries the making of someone; multiple landscapes that change as abruptly as does the subjects of assessment of Sunil.
The film does nothing to challenge patriarchal norms but rather neatly works within them, and that’s one of the reasons for the film’s success. It doesn’t require us to look within and change anything, but it reinforces already held beliefs and, at most, asks for minor readjustments to allow the audience to applaud their ability to learn and revel in their liberal and progressive world-views. We’ve learnt so much. Let’s not slap the good self-sacrificing woman, shall we?
Directed by Hitesh Kewalya, Shubh Mangal Zyada Saavdhan has moments where it manages to deliver scathing one-liners that leave the viewers in stitches, but never at the expense of the sexuality of the protagonists.
The L Word, problematic as it was, helped me amongst many other young queer millennials discover and/or accept their sexualities.
I’m sorry, but who are you Mr. Khurrana and team to tell anyone that they are "incomplete"?