Having a queer character as the protagonist is phenomenal, and I will admit that it is very liberating to watch him not encounter any form of discrimination due to his sexuality at all.
Many queer people of colour have a number of experiences with racism within the “mainstream” LGBT+ spaces. Microaggressions from the doorman at the club is common, often being asked whether we know that it’s a “gay venue”.
What began as a thesis while pursuing his masters in Comparative Media Studies in MIT became the first ethnography of gay life in contemporary India. It to help gay men explore their sexuality and accept their identities. It charts the growth and trajectories these offline-online communities as a result of globalisation and the subsequent changes.
Sleekly designed, State of the QUnion includes an interactive map that lets users find out their parliamentarians’ stand on queer communities in constituencies across India. A report card highlights their position as well as any statements made on homophobia and transphobia, trans rights, trans bill, Section 377, and LGBTQ+ rights.
“I’m not a refugee. I am an immigrant,” you tell them but it doesn’t matter because you’re still different, and different is all they care about.
I always say that before I met Spoorthy, I did not understand what love was. Her love changed me, my anger, Casanova-nature, rudeness, and my all-time decision of not marrying anyone. I never used to believe in any relationships and always said that money could buy anything and everything. Her love taught me to smile, care for everyone, listen to others, and give other chances too.
In her live video, she recalled incidents of solitary confinement at a mental health centre because her family believed that they could "cure bisexuality." She had been a subject to domestic abuse and mental torture resulting in depression and suicidal thoughts.
We’ve come a long way, but our struggle isn’t over yet. We have miles to go before we find peace. Miles to go before we find justice – buried under rotting piles of debris, faeces and skeletons.
There is an inherent problem in assuming we can only talk about our personal lives and nothing else, that we are somehow remote from, say the migrant crisis and Islamophobia during COVID-19. By foregrounding one aspect of ourselves at the expense of other equally important concerns, inclusivity efforts in their present restrict rather than expand our civic engagement.
If I could have anything that made me feel more independent, it would be making queerness a part of casual discussion. I wish it wasn’t such an enormous deal. People are gay. Everyone knows it.
From the expansive shots of Mumbai, we are eased into the ground with Sunny standing in a lift while their neighbours eye their masculinized attire.
Aneesha, who teamed up with photographer Harish and stylist Divya, collaborated for NAAZ to give us a glimpse of what it means to live in a post-377 India through 6 young voices of the community.
If you decide to give the podcast a listen, what you get is a group of four friends who get together every week and chat about everything under the sun.
The film, just like our young and ambitious director, doesn't shy away from a topic that our traditionalist society would consider a taboo.
An armchair critic up to the age of 30. I finally decided to take the plunge and come out publicly in 2004. I had been out to close friends and family for a decade. The catalyst for my activism was the Islamist movement and its growing influence within communities like mine in Luton.
The email read: “Do you want to come play in the woods? There'll be lots of cute guys...” It was a Radical Faerie gathering at Breitnebush Springs in Oregon. My immediate response was: No. No way. I don't do that sort of thing. And I paused just as I was about to move on to the next email, and my second thoughts said: What are you afraid of?