Honestly, I am not a big fan of horror films and avoid watching them but Bulbbul is not just a horror film. It is a movie filled with suspense, thrill, …
The title of the documentary is evoked at one point by writer and actress Jen Richards, “I kind of hate the idea of disclosure, in the sense that it presupposes there is something to disclose.” I’m still trying to wrap my head around this and many other things said in the documentary. Having struggled with coming out and the idea of stealth, having often thought, “at what point do I need to tell them I’m trans?”, her statement brings up many feelings and emotions for me, as I attempt to process the idea of a world where my transness is absolutely nobody else’s business.
I grew up with an all-consuming love for Bollywood movies. They supplied the canvas for my visions and the soundtrack to my life’s cadences. To go to the theatre to watch a movie was to touch magic. And nowhere was that magic more apparent than in the quintessential Bollywood romance.
The way you were there with Johnny, sometimes loudly, sometimes silently was a lesson to me. The way you taught Johnny to be responsible towards his family was like seeing an imprisoned bud confined by emotionless rituals getting bloomed in an impeccable sunny morning.
Sukhdeep’s understanding of his religion and his life as an openly queer creator drove him to seek out others like him, to share their stories and talk about their struggles that they have faced and the fights they have won.
The opening shot couldn’t have been more dramatic. Waseem is waiting at the platform for a train to come, he looks left and smiles at a woman who leaves; the next moment his phone beeps.
Alice Wu, who makes a return to the world of writing and directing after fan-favourite “Saving Face” says that she deliberately wanted to set this story in a small town, because she had been researching about Trump and wanted to reach people in the red states, wanted to hope it might make them think twice about immigrant families or queer kids.
Terry was 22 years of age when she first met the 18 year old Pat on a skating rink, way back in the 40s. They immediately connected in a time that was not open at all to the idea of LGBTQ people as legitimate members of society.
Mae and George both are characters who are attractive in their own right, but neither are characters who I actively crush on as a queer woman myself, but more as flawed people I can identify with and learn from.
At the time of writing this article, our country has been under lockdown for 11 days, and there are at least 10 more days to go before we may be allowed out of our homes. So I thought of compiling a list of six heart-warming short films – those which carry a message of hope – from around the world.
In 2016, Paras was awarded the Roshan Award of the BlueCat International Screenplay Contest. Out of 4,500 submissions, his screenplay titled Deepest, Darkest or How Not To Lie put him in contact with notable agents and talent managers in Hollywood.
2005 was not a queer-friendly time, so for Ang Lee to go out on a limb and create a movie as remarkable and open as Brokeback Mountain caused a stir in the fairly heterosexual nature of Hollywood.
The movie was able to resonate deeply within the queer community of India as it showcases an important step that every queer person has to take at some point in their lives – coming out to family.
The film does nothing to challenge patriarchal norms but rather neatly works within them, and that’s one of the reasons for the film’s success. It doesn’t require us to look within and change anything, but it reinforces already held beliefs and, at most, asks for minor readjustments to allow the audience to applaud their ability to learn and revel in their liberal and progressive world-views. We’ve learnt so much. Let’s not slap the good self-sacrificing woman, shall we?
Every year there is a new iteration of high school drama with actors that do not look like teenagers playing teenagers, because the kind of stuff they portray in these movies cannot be appropriate for teenage actors to perform.
Directed by Hitesh Kewalya, Shubh Mangal Zyada Saavdhan has moments where it manages to deliver scathing one-liners that leave the viewers in stitches, but never at the expense of the sexuality of the protagonists.
I’m sorry, but who are you Mr. Khurrana and team to tell anyone that they are "incomplete"?
It has so far been promising, unlike the past where gay men have been stereotyped, caricatured and being looked upon as another funny character in a vast premise of happenings.
Tae struggles to breathe. The air from his lungs rushes out as if escaping him. A pool of red grows larger and larger under him, and he feels it through his skin.
A Little More Blue does not merely represent the suffering of trans people trapped in the wrong body, but it represents how trans people’s mental health is impacted.