When I finished browsing through this heavy pink-covered hardcover book that has Paolo Sergio de Castro’s image on the front – who died of AIDS and the book is dedicated to him – with “wish you were here” in golden color, I was overwhelmed with emotions. These 128 pages, cover to cover, carries the making of someone; multiple landscapes that change as abruptly as does the subjects of assessment of Sunil.
Directed by Hitesh Kewalya, Shubh Mangal Zyada Saavdhan has moments where it manages to deliver scathing one-liners that leave the viewers in stitches, but never at the expense of the sexuality of the protagonists.
One of the more subtler problems– when you come out to an ally as queer, they suddenly assume that you are going to ‘come on to them.’ You have to think twice about everything you say and do, lest they take it the wrong way.
At 43 years of age, I did not have much to boast of in terms of a personal life. Here I was - a single, gay man living away from my family for nearly 15 years, with many unsuccessful attempts at finding love and some unremarkable short flings.
Sadat’s book is a heartfelt coming-of-age story of a young boy who not only has to deal with the struggles of being gay in a conservative society but also has to survive war, starvation and intense loss while doing so.
A recently concluded presentation, 'Four Play' is an interactive performance art piece, curated and performed by Patruni Chidananda Sastry, a dancer and performance artist – along with theatre artist, Sajiv Palasa.
The idea behind NORMAL was to not only pay homage to the genre of horror – from some of its cult tropes, to taking it in extreme spaces – but do it while holding on to an inherently Indian, desi, voice.
When I joined the course, I was excited to share my experiences with the class. But with time I realised not everyone was interested. Most of them didn't interact with me, asked questions, or exchange their experiences.
The book, only available in South Asia currently has been garnering attention for its view of Afgan society. Nemat sits down with Gaysi to discuss his debut book, queer narratives from Afghanistan and how literature has a role to transform how politics of the marginalised continue to be viewed.
It’s a chilly, Friday evening when Maulana – with his wide, expressive eyes and ochre, paan-stained teeth – announces that Islam considers the marriage of a man and a woman to be a contract. You giggle and blush, unaccustomed to conversations about the M-word.
At first glance, it may seem like firms concerned with their objectives of productivity and profitability seldom care about the life and preferences of their employees. However, in our naïveté we overlook the moral foundations that can make a toxic workplace different from a healthy, accepting one.
Is The Carpet Weaver a stirring coming-of-age story? Is it a heartrending account of queer love? Is it a sobering political drama? Or is it a condemnation of war? The mystery laid out in the cover page of the book will help you to seamlessly sail through its three-hundred odd pages!
Aneesha, who teamed up with photographer Harish and stylist Divya, collaborated for NAAZ to give us a glimpse of what it means to live in a post-377 India through 6 young voices of the community.
An intellectual phenomenon, almost
Ready for you to stare at but never touch
And debate what these clothes mean, this hair, this skin, this nail hanging limply at the end of my
An armchair critic up to the age of 30. I finally decided to take the plunge and come out publicly in 2004. I had been out to close friends and family for a decade. The catalyst for my activism was the Islamist movement and its growing influence within communities like mine in Luton.
In some places it rains a bit during the rainy seasons. In some places it rains more, and one cannot see a long way ahead. On some days in Ulaua it rains so hard that one can barely see a few feet ahead - in these seasons, the Ulaua river is always in spate.
Manifestations of internalized homophobia can include: denial of sexual orientation to oneself and others, attempts to alter or change one’s sexual orientation, discomfort with other gay people, unsafe sexual practices and other destructive risk-taking behaviours, including risk for HIV and other STIs.
Through calling this exhibition ‘Who’s the freak’, Ahuja is placing their audience in front of the final exasperated WTF question to the cis, the hetero and the ignorant.
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The videos he has worked on also share stories that matter to him about the clandestine existence of queer folx in Pakistan, a country culturally and even lawfully similar in the violence towards queer people as their neighbour- India.