Throughout the series, Masaba’s privilege is obvious, and so is her oblivion to it. Although Rytasha Rathore (who plays the best friend) does administer a reality check to Masaba, it ends at just that. As if being aware of your privilege is the end of it, when it’s only the first step.
Here are 16 such ‘oh’ moments we compiled from your responses through a Gaysi Q and A on Instagram!
‘Boxed’ challenges the gender binary myth, profiles intersections within the trans community and also talks about their vehement opposition toward the Trans Bill of 2019. We spoke to directors Sameeksha …
A trans person is trans because they say they are. Period.
Five out of six filmmakers were women. The odd one out, and first in the line up was 6:23 am by Geoffrey Breton (please note that the ‘Boys Shorts’ film category didn’t have a single female director, which is: not surprising).
The title ‘Mad, Bad and Dangerous to Know’ makes no attempt to conceal it’s YA (Young Adult) genre, and also leaves a few clues in the text just to make sure (for eg: the use of ‘deadpan’ as a verb). As Khayyam sleuths her way through the book to uncover Leila’s story and amplify her voice, it is ironic that the book title ‘Mad, Bad and Dangerous to Know’, is a reference to Lord Byron’s reputation amongst women.
History is evidence to the fact that whenever humanity has faced a major crisis, women have always been the worst affected. We are living through a historic event right now, The 2020 Coronavirus Pandemic, let’s see how this has affected women.
For a community that struggles to be recognised as valid by external actors, more often that not, queer relationships feel the pressure to be portrayed as perfect, in order to increase that claim for validity.
The magic realism of ‘My brother is a Mermaid’ and the monochrome colouring of ‘Mall’ show us what it is like to be a child in a prejudiced world- filled with gender roles and teachings that are not tailored to our individual identities.
Lua, Rai and Camis prepare for a night out in Sao Paulo. The preparation for a group night out is written with exquisite accuracy. Right from the day-long hype in the group chat, to picking out and explaining your choice of booze before the party, and finally getting there only to risk it all when that one song starts to play.
I had read a lot of Urdu poetry and prose from this time for my 2012 book Gender, Sex and the City, and had discovered that several major writers from Lucknow, Agra and Delhi (but also one from Hyderabad) wrote in the same range of tones and with equal ease about female-female, female-male, and male-male erotic relationships, as well as about all kinds of friendships, including female-male non-sexual friendships.
I finished my first Korean drama last month.
It was like watching Channel V in 2013, but with a better plot and production value.
I loved it.
But the type …