Here are some of Gaysi’s picks to keep you entertained this week. Happy streaming!
I hope and pray that its audiences are only watching it for mindless escapism rather than admiration.
While being a tad predictable, Handsome Devil wins us over with an easygoing charm that makes for an enjoyable watch.
What amuses me is that a post advocating for trans people’s admittance in gender-segregated spaces for cis people immediately triggered a question on ‘competitive sports’. Priorities, priorities. This is hardly the first time I’m seeing an ignorance being passed by a cis person.
I think it’s because of religious decrees around head cover and some states like Iran making it mandatory in public life. So people tend to associate it with religion. Head covering is common in many religions and cultures and not just Islam. There is no compulsion in Islam to do anything – we are all able to exercise our free will. Any legislation which forces women to wear or snatches away their right to wear – both are discriminatory.
As queer individuals in a homophobic and transphobic society, we are always striving to integrate into the very systems that have marginalized our identities. In doing so, we are tempted to adopt a conciliatory, pro-establishment approach.
Sleekly designed, State of the QUnion includes an interactive map that lets users find out their parliamentarians’ stand on queer communities in constituencies across India. A report card highlights their position as well as any statements made on homophobia and transphobia, trans rights, trans bill, Section 377, and LGBTQ+ rights.
The goal of the 'therapy’ is vulgarly clear - to change one's sexual orientation, gender identity, and gender expressions to societally normative identities. In the processes, people may be subjected to psychoanalysis, religious faith healing, exorcism, aversion behavioral conditioning, electroshock, surgical interventions, and even corrective rape.
There is an inherent problem in assuming we can only talk about our personal lives and nothing else, that we are somehow remote from, say the migrant crisis and Islamophobia during COVID-19. By foregrounding one aspect of ourselves at the expense of other equally important concerns, inclusivity efforts in their present restrict rather than expand our civic engagement.
A self-described happy-go-lucky person with a fondness for research, block-printed shirts, Vyas hopes to carve a niche in the world of visuals. The 24-year-old wears many hats, as an art historian specializing in South Asian art and religious studies, a translator, an author, and a visiting faculty at NID, Ahmedabad.
Let us strengthen our ties with trans and non-binary community members who have proactively worked to create a safe world for everyone, be it through zany artworks, heart-wrenching life experiences, valuable tips, or the power of humor.
I took 25 years to reclaim my womanhood in a world that militantly tried to make me believe I was a man. This lie was declared at birth and reinforced throughout childhood, at home, at school, in short, in every institution that was meant for my development.
This article has been drafted with inputs from Philip C. Philip, a Delhi-based genderqueer social activist who currently works with the Human Rights Law Network on transgender initiatives.
The book opens with Tobia's childhood in the section Kiddo, where they speak about their fixation with Barbie (and the hunky-dory Ken too!) and their curiosity about ‘pee-pees’ and 'wee-wees' if you know what I mean.
From growing up learning Carnatic music to launching their YouTube channel performing covers to finally becoming a full-time indie-pop artist, Teenasai's journey is a celebration for the desi queer community.
A democratic establishment and the tireless rallying by activists and legislators have improved the overall climate in India over the years, with the Supreme Court finally striking down the colonial vestige of Section 377 and the Parliament tabling bills for trans rights (of course, in spite of flaws and all).
Is The Carpet Weaver a stirring coming-of-age story? Is it a heartrending account of queer love? Is it a sobering political drama? Or is it a condemnation of war? The mystery laid out in the cover page of the book will help you to seamlessly sail through its three-hundred odd pages!
In this paradise for Queers, the miniscule minority were the much-despised cis-heterosexual lot, who stubbornly believed the world was ideally just for Adam and Eve and proselytized a binary gender system enforced by ‘he’ and ‘she’ pronouns and suffocating monogamy.
In an exclusive interview with team Gaysi, director Jijo Kuriakose shares his experiences working on Njan Sanjo and articulates his thoughts on the importance of self-representation in queer-centric media.
I attempt to grapple with the reality of myself at eighteen. My 240-pound lumpen body devours most of the frame. A fence of scraggy hair runs through my face and torso like barbed wire.